Visual Arts, Grade 11, University/College Preparation
| Course Title | Visual Arts, Grade 11, University/College Preparation |
| Course Code | AVI3M |
| Grade | 11 |
| Course Type | University/College preparation |
| Credit Value | 1.0 |
| Prerequisite | Grade 9 or 10 Visual Arts, Open (AVI1O or AVI2O) |
| Co requisite | None |
| Department | The Arts |
| Name of the Department Head | Camille Dube (B.Sc.,B.Ed.,OCT) |
| Course Developer or Teacher | Colleen McMillan (B.Sc.,B.Ed.,OCT) |
| Curriculum Policy Document | The Ontario Curriculum, Grades 11 and 12: Arts (Revised, 2010)
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| Course development date | September 2026 |
| Most recent revision date | none |
| Course reviser | none |
This course enables students to further develop their knowledge and skills in visual arts. Students will use the creative process to explore a wide range of themes through studio work. Projects adapt traditional methods like drawing, painting, and sculpture to use accessible household materials, found objects, and free web-based design technologies. Students will apply the critical analysis process when evaluating their own work and the work of others. Artworks are interpreted within personal, contemporary, and historical contexts.
By the end of this course, students will:
| 1. Creating and Presenting | |
| 1.1 | The Creative Process: Apply the creative process to create studio art works that express personal feelings and communicate specific emotions. |
| 1.2 | Elements and Principles: Apply elements and principles of design to solve specific visual design problems |
| 2. Reflecting, Responding, and Analysing | |
| 2.1 | The Critical Analysis Process: Use critical analysis to examine, interpret, and evaluate their own art and the work of others. |
| 2.2 | Art and Society: Demonstrate an understanding of how art works reflect the societies in which they were created, and how they impact personal values. |
| 2.3 | B3. Connections Beyond Art: Describe opportunities and identify skills required for postsecondary study and careers in visual arts and related fields. |
| 3. Foundations | |
| 3.1 | Terminology: Demonstrate an understanding of precise art terminology when analyzing or creating art. |
| 3.2 | Conventions and Techniques: Demonstrate an understanding of tools, materials, and techniques used in art production. |
| 3.3 | Responsible Practices: Demonstrate an understanding of safe, environmental, and ethical practices in the studio environment. |
| Time Allocated | Online/Offline Component | Learning Expectations | |
|---|---|---|---|
| 1. Foundations & The Visual Diary | |||
Students explore the foundational creative process using everyday writing tools like standard pens or pencils. By observing immediate surroundings and documenting ideas in a personal visual diary, students master line weight, texture, and value scale. Precise art terminology is introduced to describe stylistic trends, themes, and content from historical art periods or cultures. Additionally, students identify and describe ways in which communities use visual arts, such as local public art and community murals, to express identity or promote cultural initiatives. | 20 hours | (9 hrs online / 11 hrs offline) | A1.1, A1.3, A2.1, A2.2, B2.1, B2.3, C1.1, C1.2, C2.1, C2.2 |
| 2. Organic Stains & Spatial Depth | |||
Students investigate colour theory, value scales, and atmospheric perspective. Studio work utilizes home-brewed pigments like coffee, tea, or juice on raw paper to construct interior or landscape spaces. Students expand their use of precise terminology to analyze content and stylistic trends from various historical art periods.
| 25 hours | (12 hrs online / 13 hrs offline) | A1.2, A2.1, A2.2, B1.1, B2.1, C1.1, C1.2, C2.2 |
| 3. Structural Form from Waste | |||
Students manipulate dimensional space and form by building architectural reliefs or abstract sculptures using consumer waste like cardboard packaging. During this unit, students formally deconstruct and analyse the stages of development and structural composition in their own work and that of others. | 20 hours | (9 hrs online / 11 hrs offline) | A1.2, A2.2, B1.2, B2.1, B2.2, C2.1, C2.2, C3.1, C3.2 |
| 4. Historical Component: Modernism, Cubism, and contemporary environmental art | |||
Students explore art as social activism. They select either a physical layout using paper junk mail, or a digital format using free web-based editing software like Photopea or Pixlr. As part of the critical analysis process, students evaluate the effectiveness of their own and others’ artworks in communicating an explicit message, theme, or feeling.
| 20 hours | (10 hrs online / 10 hrs offline) | A1.2, A2.2, A3.2, B1.1, B1.4, B2.1, B2.2, C2.2 |
| 5. Rich Summative Task & Virtual Exhibition | |||
A self-directed final studio masterpiece driven by a personal theme using the student’s choice of available media. Submissions include an artist statement and a professional digital compilation of their creative process. Students use precise terminology related to presentation and exhibition formats to curate the virtual showcase. They also identify skills developed through the study of visual arts (such as project management, creative problem solving, and visual communication) and describe how they can be transferred to various postsecondary pathways and careers outside of fine arts.
| 22 hours | (11 hrs online / 11 hrs offline) | A1.1, A1.2, A1.3, A3.1, A3.3, B1.1, B1.3, B3.1, B3.2, C1.3, C3.3 |
| 6. Final Evaluation: Independent Study Unit | |||
See Unit 5 | — | ||
| 7. Final Evaluation: Final Exam | |||
| 3 hours | (3 hrs online) | — | |
| Total | 110 Hours | ||
| Online | Offline |
|---|---|
| Communicating with the instructor | Reading materials of the course |
| Contributing to forums | Researching topics on the internet |
| Watching instructional videos | Completing assignments |
| Watching additional resource videos | Completing practice activities |
| Practicing through online quizzes | Reviewing for tests and exams |
| Reviewing peer submissions | |
| Completing online timed exam |
A variety of assessment and evaluation methods, strategies and tools are required as appropriate to the expectation being assessed. These include diagnostic, formative and summative within the course and within each unit.
Assessment FOR Learning and Assessment AS Learning is obtained through a variety of means, including the following:
- Ongoing descriptive feedback, including descriptive feedback on students’ practice activities
- Self-assessment
- Peer assessment
- Student/Teacher Communication with on a regular basis to:
- ask questions
- clarify understanding
Evidence of student achievement (assessment of learning) is collected through ongoing observations of most consistent work, with consideration given to most recent work from various sources.
Assessment and evaluation in this course will be based on the provincial curriculum expectations. Students will be provided with numerous and varied opportunities to demonstrate the full extent of their achievement. Categories of assessment and breakdowns are as follows:
- Knowledge – 30%
- Thinking Inquiry – 25%
- Application – 25%
- Communication – 20%
A final grade will be determined as follows:
- Term Work – 65%
- Final Evaluation – 25%
- ISU – 15%
- Exam – 10%
- Attendance and Participation – 10%
| Students enrolled in this course through CHS’s Hybrid (H) program will participate in synchronous learning via live online teaching sessions, online support material, and student-to-student discussions organized throughout the semester. Conversely, students taking this course as part of CHS’s Self-Paced (S) program will learn asynchronously through recorded video lessons, presentations, online support material, and simulations. While self-paced students have up to one year to complete the course, they are encouraged to finish within five months.
A variety of strategies will be used in the online delivery of this course. Instructional strategies will include but are not limited to:
Learning goals will be discussed at the beginning of each assignment and success criteria will be provided to students. The success criteria are used to develop the assessment tools in this course, including rubrics. The arts curriculum is based on four central ideas – developing creativity, communicating, understanding culture, and making connections. Major aspects of these ideas are outlined in the chart below. |
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| Developing Creativity |
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| Communicating |
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| Understanding Culture |
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| Making Connections |
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Students with special needs and English Language Learners will be provided with accommodation, including additional time, assistive technology and scribe where available. Teachers who are planning a program in this subject make an effort to take into account considerations for program planning that align with the Ontario Ministry of Education policy and initiatives in a number of important areas.
Learning Skills listed below are key to student success. Learning Skills are assessed independently of achievement and are determined through observation and participation. A check list and student-teacher communication will be used to determine the level in each category.
- Responsibility
- Organization
- Independent Work
- Collaboration
- Initiative
- Self-Regulation
- A dedicated notebook or loose sheets to serve as a Visual Diary.
- Basic drawing utensils like standard office pens, pencils, or highlighters.
- Clean cardboard, packaging scraps, or junk mail.
- A mobile device or computer with internet access to upload photographs of work.
- Activities and lesson presentations
- On-Line resources
- Links to simulations and interactives
- Links to extra support material
